Louis Vuitton Cotton Candy Carousel Spins

Perched on a half-saddle with an old carousel, the Louis Vuitton Belles Embroidery Anglaise next spring wrapped in shades of baby doll cupcake or candy, such as the Paris fashion marathon nine-day approaches on Wednesday.

Marc Jacobs, one of the world's most talked about designers, as it was tipped to succeed the disgraced John Galliano at Christian Dior, drew warm applause for what could be his swan song Vuitton in the courtyard of Musée du Louvre .

Sangallo, the type of embroidery stitches unclear points in the points crown, was the cornerstone of the identity of innocent-looking, large daisies adorning the collar blouse closed, skirt suits and dresses.

Baby blues, and pink, soft yellow, mint green, and create the atmosphere, except for a handful of navy or gray, as bright white petticoats peeping through holes in the flower.

Behind the scenes, Jacobs - who has raised her latest saucy hotel waiter Vuitton ready-to-Wear Collection - ". Soft and soothing, gentle, loving light, sweet, feminine, airy," he told AFP this time went to show that was

"A sweet ice cream, the type of sugar in the sponge of the feelings - the containers, such as candy," "very naive and simple," says New York designer, who was also tall, dark, green eyes and figure dressed in white to chance.

Ultra-light and frothy pastel organza raised in white broderie anglaise, lace, laser cut or crispy crepe georgette, with layers of tissue up to four times to produce the desired effect, he said.

White coats buttoned to the top Sat gently swelling skirts, short jackets pinched at the waist for a look that was innocent women with high heels and delicate hair pulled back in a bun as thin crowns.

Skirts blown gently fell right next to Prim, skimming the curve of the hip before stopping at the knee or just below, accessorized with a Louis Vuitton bag requirements, or sometimes an umbrella.

Although a cut costumes Vuitton often exaggerated, curvy figure, dresses in a fall from the bust line wise Empire - with the "easy life" in the words of the designer.

Louis Vuitton was the event title on the last day of Paris Fashion Week, which is itself the final of a four-week marathon that took the fashion-pack from New York to London and Milan in their search for the hottest new looks spring-summer 2012.

The week began with a buzz of excitement at the idea that it could appoint Jacobs Dior, but the Paris house soon clear that he would not make an announcement in the coming weeks.

Jacobs makes no mention of Dior, but he had a lively bar for journalists on the ground carousel, also used by Chanel in 2008, as "a metaphor for fashion," how infinitely recycled and renewed.

"It is good that has no end! Is a joy that never ends."

While the show was over in a flash Vuitton dizzying, as the 47 models slipped one by one in their painted horses - whose head was filled with "LV" monogram - took a turn before the audience and disappeared.

Last set of Jacobs dresses with sequins embroidery English ivory, was stitched with ostrich feathers floating blue, pink or yellow.

And by the end of fairy tale, with a low-cut dress in ivory cream bubbles up in the thigh, it was Kate Moss in a flash of soft white feathers, the icing on the cake Vuitton.

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